Splitting Songwriting Percentages in a Song

Decide how to allocate the percentage of songs can be difficult at times. It is difficult to find who wrote what and what is the percentage contribution of value. I recommend setting the percentage distribution, either before or immediately after the song was written. Sounds like a simple concept, right? Not always. Many writers wait until the song has received much attention before considering the percentages. Over time, it becomes difficult to remember who wrote what and how many contributions they make a song. The song is based on 100% (50% to 50% for music and lyrics).

Look at the script. There are four friends in the lounge, listening to a piece of instrumental music as one of "my friends are taken and implemented. All four of them come with the lyrics fit the music. Now it's time to decide on the percentage distribution. There are no rules in place to determine how to divide the percentage in a song. In this example, there are several ways that songs can be shared ownership. I will focus only on two tracks that worked for me.

1. People who create music receives 50% of the song, leaving the remaining 50% must be divided between a lyricist. Remember, music creators to participate in the lyrics too. So how is it calculated? In this case, music creators will share a percentage of the lyricist. The songwriter gets 50% share between four of them. This amounts to 12.5%, respectively. As composers have participated in writing lyrics, his percentage of the songs will be 62.5% (50% for music and 12.5% ​​for the contribution to words).

2. In this way cut and dry. This is what I use now with my current partner songs. There is no ego involved with someone who gets most of the song. In this example, you simply divide the percentage yet. With four friends over, that means 100% 4-way split. This means that each person receives 12.5% ​​of the song.

If you end up signing with music publishers, the concept is the same percentage. The difference is the music publisher will receive 50% of the song (known as the issuer of shares) and the composers and lyricists receive the remaining 50% (known as a part of the author). In this case, four friends are divided by 50% between them.

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Your MIDI Keyboard Buying Guide

There are many MIDI keyboards are, like the companies that manufacture - Yamaha, Roland, Korg and Casio, among others. After his own big is a must if you are a musician - amateur or professional. It does not take a genius to buy one, but it requires some mental considerations before you want to use to get.

There are many different types of units there - the great piano-types, controllers of small children. Today, most electronic keyboards have MIDI capability then buy your decisions is even greater. If you are looking for a portable keyboard focus on what you want to be transported. Just because it does not necessarily called portable keyboard, they are all easy to carry. That is their strength comes in. by size is generally the number of keys that it is intended.

88 key piano keyboard means. This MIDI keyboards are generally larger and heavier. They are still mobile but can be tedious, especially if you are still on the road. Set up can be a problem depending on where you will use. When on stage then you can have no problem with the room, but if it is at home, then it would be extremely difficult to push something to a few meters in front of the computer next to the keyboard. The same applies to small 76.

Then there are smaller - and from 37 to 25. They are small and lightweight which makes it very portable. For most people are satisfied with smaller units, because you can always do what you can do anything with their larger siblings, but in a smaller package.

That said, the smallest (37 and 25) tend to MIDI controller keyboard, rather than actual piano keyboard. This means that they are used to create other MIDI-compatible instruments and control the music out of them. These machines have a sound system of their own importance, you do not want to hear when you press the buttons integrated. You need a sound card and audio editing system to hear something - your computer will.

Then there are the buttons and knobs to think. Most units have a set of keys, buttons, buttons, sliders, and an LCD screen on startup. The largest unit for other widgets you can. Mesh that with a good software digital audio workstation, and you can almost every instrument sound you want to happen. Of course, most MIDI keyboard and the possibilities it has more the higher the price. Many recommend a simple small keyboard, as it can handle pretty much what most musicians want. This means that it does not matter if you only have a 25-key device, as long as you able to maximize their use, then it is the ideal device for you.

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MIDI Keyboard Review: The Axiom 49

Keyboards M-Audio Axiom MIDI may be one of the most successful result as part of its durability, features, flexibility and clarity of use. This is especially true of the new generation that comes with better placement of buttons relevant sliders and LCD screen - so you're able to see more information. The case has been strengthened and a more ergonomic angle - making it easier to play.

One of their models that are intended for audio enthusiasts home is the Axiom 49. As the number suggests that it has 49 velocity-sensitive semi-weighted key action with assignable after touch. As semi-weighted, you get a light resistance when you press down and it did not bounce back as quickly as the synth keys.

With velocity sensitivity more you press the charger you get. You are also able to assign after touchdown at your heart's content. As this is a MIDI keyboard controller, it does not have its own speaker system - do not make a noise when you press a key - if you need to have it plugged into a system with a sound card (usually your computer).

You get a lot of features at your fingertips - literally. You get 4 buttons zone for stacking and sounds of splitting up to 4 MIDI channels, eight assignable pads, 8 assignable rotary encoders, 9 assignable sliders, 9 assignable buttons with LED lights for feedback DAW, 6 controls dedicated transport with LED lights for DAW input, 6 edit buttons, mute and solo buttons, and pitch bend and modulation.

This keyboard also has a MIDI instrument dedicated mode button that allows you to instantly switch to a virtual instrument controller from the mixer. But perhaps best feature of this device is the DirectLink mode. This system automatically on your keyboard to reallocate physical controls while you work.

What this means is that it automatically maps the keyboard buttons, sliders and buttons to control your digital audio workstation. The buttons become pan controls, the buttons become transport to transport your DAW, and cursors are mixing your DAW faders. The encoders and buttons fader become virtual instrument parameters such as cut, resonance, and the parameters of the envelope.

But that does not mean you have no control. In fact, the system allows you to run both your personalized buttons assigned with DirectLink and just switch when you want. And you do not need a PhD to run it all - plug and play is one of his strongest.

Other features that come with every card includes controls Axiom factory preset to popular software such as Xpand2, Hybrid, Oddity and impOSCar to name a few. It features four velocity curves keyboard tray with 3 fixed velocity settings, 20 sites non-volatile memory, and 2 assignable pedal inputs.

The Axiom 49 MIDI keyboard is powered by USB, but you can have the optional power supply. It has a built in MIDI interface with standard 5-pin MIDI IN and OUT. Just put the M-Audio Axiom 49 may be one of the best deals when it comes to MIDI keyboard controllers on the market today.

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